The pay will vary widely – oo widely to even mention an average. At the top end, famous pianists will demand $50,000 for a concerto engagement. Smaller orchestras and local groups may pay a few hundred dollars per performance.

How much does a violinist make in a symphony orchestra?

Violinists in the United States make an average salary of $65,962 per year or $31.71 per hour. In terms of salary range, an entry level violinist salary is roughly $27,000 a year, while the top 10% makes $160,000.

Is being in an orchestra a full time job?

For professional orchestras they are full time year round jobs that CAN (but don’t always) pay well. Often players also teach, or do other things like instrument repair. Some orchestras do not pay enough so players have other jobs to get by.

What’s the average salary for a symphony orchestra?

Those playing for the San Francisco Symphony Orchestra averaged $141,700 a year, while those in the Minnesota Orchestra earned $107,660 a year. Though still an “elite” orchestra, Baltimore Symphony Orchestra offered its musicians an average wage of $62,920 for the 2011-2012 season.

How much money do you make as a musician?

How much money you make if you are a musician in an American orchestra depends entirely on which orchestra you are in. At the top of the salary range, pay for a member of the Los Angeles Symphony Orchestra starts at a little over $150,000 per year. Salaries for musicians in the Pasadena Philharmonic average a little over $4,000 per year.

How much money does the New York Philharmonic make?

Half a million bucks for leading the New York Philharmonic, while most US orchestral musicians earn around double what their British counterparts do. Why do we value our musicians so poorly? The proms will feature British orchestras taking their place on the world stage alongside much better-paid ensembles.

Why are salaries so markedly different between British and US orchestras?

Why are salaries so markedly different between British and US orchestras? Half a million bucks for leading the New York Philharmonic, while most US orchestral musicians earn around double what their British counterparts do. Why do we value our musicians so poorly?